Volume II (Ray Johnson)

Featured

Courtesy of the Estate of Hazel Larsen Archer

Courtesy of the Estate of Hazel Larsen Archer

Introduction

2.1 Kenneth Snelson

Interviewed by Connie Bostic, transcribed by Jolene Mechanic

2.2 Michael von Uchtrup: Ray Johnson Biography

2.3 Johanna Gosse
From Art to Experience: The Porous Philosophy of Ray Johnson

2.4 Julie J. Thomson
To Ray J, George Brecht Knows, George Brecht’s Nose: The Development of Ray Johnson’s and George Brecht’s Participatory and Dialogic Practices

2.5 Kate Erin Dempsey
Weaving Correspondence: Anni Albers and Ray Johnson

2.6 VanDerBeek Collage
Reading Ray: VanDerBeek Deep

2.7 Reading Ray 1 (Johanna Gosse)

2.8 Reading Ray 2 (Julie J. Thomson)

2.9 Reading Ray 3 (Kate Erin Dempsey)

2.10 Reading Ray 4 (Sebastian Matthews)

Volume 1 (Premier Issue)

Featured

1.1 Dorothea Rockburne
Interview with Connie Bostic, transcribed by Jolene Mechanic

1.2 Shane Ralston
The Prospect of an Ideal Liberal Arts College Curriculum: Reconstructing the Dewey-Hutchins Debate

1.3 Jonas Williams
Teaching Creative Writing and Literature After Olson

1.4 Jason Ezell
(Lake) Eden and All Its Serpents: Martin Duberman’s Black Mountain and Queer Historiography

1.5 David Peifer
Max Dehn: An Artist among Mathematicians and a Mathematician among Artists

1.6 Thomas M. Murphy
“Before I refuse to take your questions, I have an opening statement” John Chamberlain’s “American Tableau, 1984” and the Reagan War Machine.

1.7 John Held, Jr.
Networking Chance: “A Global Situation Involving the Possibility of People Everywhere and Anywhere”

1.8 Maggie McFadden
Black Mountain College, Watauga College, and Me

1.9 Frederick A. Horowitz
What Josef Albers Taught at Black Mountain College, and What Black Mountain College Taught Albers.